The Renaissance Nude
Regular price €48.00
Getty Publications, 2018.
Hardback, 432 pages.
Reflecting an era when Europe looked to both the classical past and a global future, this volume explores the emergence and acceptance of the nude as an artistic subject. It engages with the numerous and complex connotations of the human body in more than 250 artworks by the greatest masters of the Renaissance. Paintings, sculptures, prints, drawings, illuminated manuscripts, and book illustrations reveal private, sometimes shocking preoccupations as well as surprising public beliefs—the Age of Humanism from an entirely new perspective.
This book presents works by Albrecht Dürer, Lucas Cranach, and Martin Schongauer in the north and Donatello, Raphael, and Giorgione in the south; it also introduces names that deserve to be known better. A publication this rich in scholarship could only be produced by a variety of expert scholars; the sixteen contributors are preeminent in their fields and wide-ranging in their knowledge and curiosity. The structure of the volume—essays alternating with shorter texts on individual artworks— permits studies both broad and granular. From the religious to the magical and the poetic to the erotic, encompassing male and female, infancy, youth, and old age, The Renaissance Nudeexamines in a profound way what it is to be human.
This volume is published to accompany an exhibition on view at the J. Paul Getty Museum at the Getty Center October 30, 2018, to January 27, 2019, and at the Royal Academy of Arts London in the United Kingdom February 26 to June 2, 2019.
Thomas Kren is an independent scholar and adjunct professor of art history at the University of California, Santa Barbara. He founded the J. Paul Getty Museum’s Department of Manuscripts in 1983. Jill Burke is a senior lecturer in art history at the University of Edinburgh. Stephen J. Campbell is the Henry and Elizabeth Wiesenfeld Professor and acting chair of the Department of the History of Art at Johns Hopkins University.